翟倞善于凭借其画作中若隐若现的象征，将观者引向某些文学时刻——小品和喜剧电影中的诙谐片段、生活里的顿悟和想象、耐人寻味的社会关系……“我不理解的，就是我理解的”呈现的全新创作彰显出这位文学和绘画的长期读者新一轮的破与立。

Zhai Liang excelled at using ambiguous symbols to lead viewers into literary moments. He always cleverly combined humorous vignettes from short stories and comedy films and ambiguous perceptions and visions from everyday life with the contemplation of social relationships. All-new oil paintings in “What I Don’t Understand Is What I Understand” mark a bold departure from his previous work, reflecting a new round of destruction and creation from a long-time lover of literature and painting.